{"id":531,"date":"2017-12-03T20:23:40","date_gmt":"2017-12-03T19:23:40","guid":{"rendered":"http:\/\/www.ytaunion.com\/yta\/?p=531"},"modified":"2017-12-03T21:15:08","modified_gmt":"2017-12-03T20:15:08","slug":"general-vision-of-tbilisi-biennale-of-stage-design","status":"publish","type":"post","link":"https:\/\/yt.omni.ge\/?p=531","title":{"rendered":"General Vision of Tbilisi Biennale of Stage Design"},"content":{"rendered":"<p><a href=\"http:\/\/www.ytaunion.com\/yta\/project-tbilisi-biennial-of-scenography\/%d1%82%d0%b1%d0%b8%d0%bb%d0%b8%d1%81%d0%b82-small-copia\/\" rel=\"attachment wp-att-534\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-534\" src=\"http:\/\/www.ytaunion.com\/yta\/wp-content\/uploads\/2016\/08\/\u0442\u0431\u0438\u043b\u0438\u0441\u04382-small-copia.png\" alt=\"tbilisi biennale\" width=\"210\" height=\"126\" \/><\/a>The development of scenographic thinking which corresponds to the transformation of theater is the ability to be contemporary, unique but also sincere in being oneself, understandable, in finding timeless themes and images for artistic approach\u2026<br \/>\nThe new cultural context \u2013 the opening of borders, freedom of mobility on the one hand, and the struggle for preserving unique and individual self-expression on the other forms a new approach. Namely:<br \/>\n\u2022\u00a0\u00a0 \u00a0Modernizing the idea of borders (real and imaginary, moving, changing);<br \/>\n\u2022\u00a0\u00a0 \u00a0Understanding how these borders affect the space (free and occupied, internal and external, personal and collective);<br \/>\n\u2022\u00a0\u00a0 \u00a0Searching for new ways of expressing one\u2019s identity in the context of contrasting the constantly changing local and global \u2013 in the world, in theater or in scenography.<br \/>\nUnderstanding of main issues and creating of a sublime image &#8211; a matter of talent and mastery \u2013 always remains topical. It is up to the curators to create preconditions, context for development, to prompt, unite and sometimes confront and highlight contrasts.<br \/>\nCorrespondingly, the potential of Tbilisi Biennale of Stage Design \u2013 the possibility of creating a new place for young artists in the cross-border space for rethinking the problems that exist in local scenographic spaces, for understanding internal needs and possibilities\u2026 for the aspiration to break through borders\u2026<\/p>\n<p><strong>Masters\u2019 Lab<\/strong> \u2013The Biennale includes an educational program Masters\u2019 Lab, which we hope to develop further. Masters\u2019 Lab aims to provide young participants with new knowledge and professional skills.<\/p>\n<p><strong>The space and locations of the Biennale<\/strong> \u2013 for the exhibitions of participating counties in 2018, we would like to use the space of two wonderful historic buildings in the heart of Tbilisi. These are the National Parliamentary Library of Georgia where the 2016 Biennale was held and Tbilisi History Museum Karvasla\u2019s central, third-floor gallery.<br \/>\n<strong>Our partners<\/strong> are Rustaveli Theatre, Theatre and Film State University of Georgia and the Russian Center of OISTAT.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The development of scenographic thinking which corresponds to the transformation of theater is the ability to be contemporary, unique but also sincere in being oneself, understandable, in finding timeless themes and images for artistic approach\u2026 The new cultural context \u2013 the opening of borders, freedom of mobility on the one hand, and the struggle for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1,8,139],"tags":[],"class_list":{"0":"post-531","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-news","7":"category-projects","8":"category-biennial"},"_links":{"self":[{"href":"https:\/\/yt.omni.ge\/index.php?rest_route=\/wp\/v2\/posts\/531"}],"collection":[{"href":"https:\/\/yt.omni.ge\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yt.omni.ge\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yt.omni.ge\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yt.omni.ge\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=531"}],"version-history":[{"count":3,"href":"https:\/\/yt.omni.ge\/index.php?rest_route=\/wp\/v2\/posts\/531\/revisions"}],"predecessor-version":[{"id":779,"href":"https:\/\/yt.omni.ge\/index.php?rest_route=\/wp\/v2\/posts\/531\/revisions\/779"}],"wp:attachment":[{"href":"https:\/\/yt.omni.ge\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yt.omni.ge\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yt.omni.ge\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}